HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 70, 1836-1847 vasi has a palette that is

has a palette that is closer to version B

He approached lithography as a craftsman in the truest sense of the word: he drew the stones himself and oversaw the printing

where they represent the temple in which the deities reside

Beautiful proof in the fifth state out of five

published by Tériade in 1954

HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 70, 1836-1847 vasi has a palette that isStunning proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New